Wednesday, June 19, 2013
Rubha Reidh Lighthouse
This is where I am walking in the mornings these days. Originally I got here like this - but not on a motorcycle (although that would have been fun) - but rather in a van with four other women and our driver - Brian. Jenny Krantz may remember another bus ride, years back, in Ireland. On that trip the driver decided that he was afraid of heights and refused to keep going along the cliffside road. Brian had no such issues - even though you can see the roads were treacherous as well. There are hikers that come through - but no other people staying here as our small group has taken over all the rooms and we are using the solarium as a print / paper-making studio. The couple who just bought this place in February are wonderful hosts - although the may not quite know what to make of us. They have to deal with all sorts of things from pointing out whales to rescuing people who go up the paths in unsuitable shoes. This afternoon an older woman slipped on the grass and almost went over the edge (her bag did). She merely broke her wrist, but it could have been much much worse. There is no 911 to call...and the nearest hospital is 85 km. away. Away Roger went to take her there.
Tuesday, June 18, 2013
By the time that I reached Inverness on Sunday night - I was more than a mess. I had been in the same clothes since Thursday morning. I had stressed myself silly with worry over my suitcase - was it travelling with me to Amsterdam, or had it been sent to Manchester where I might never find it until I took the train down there to retrieve it? The airport in Amsterdam was entertaining - but not for the entire seven hours I had to wait there. "Go out and see Amsterdam, " said the young woman behind the counter. I didn't dare risk getting lost and missing another connection...and I was so mentally tired I wasn't focusing.
The Inverness airport is very small. LIke a large hangar divided into a couple of sections. I was the last person through customs behind a young brother and sister from China who spoke no English. They were in Inverness (?) for a tennis tournament but they had no idea where it was or how to even say the name of it. The girl kept handing her cell phone to the customs agent. It took them awhile to sort it out.
THERE WAS MY SUITCASE! (yay) I made my way with all my stuff out to the the taxi stand and - get out of dodge - the only guy waiting there was from Lansing, Michigan. He teaches Environmental Economics at State and he had never been to Scotland either. We shared a cab into town with a driver who gave us a history lecture the entire way.
I am now where I'm supposed to be - having a productive time and totally enamored with the scenery. The days are full of companionship and work. More about that later. It is past midnight and I need to get some sleep even though it looks like it is about 7:30 pm here. (Did I mention there is no "darktime" here.) Night all.
Friday, June 14, 2013
adventures in air travel....
The one thing about riding business class - at least on this supposedly "short" flight to Atlanta - is that the pilot (Captain Dan) was VERY chatty. You know how when you are riding economy, and maybe you're in the 23rd row and every once in awhile the pilot will come over the intercom and say something? But the noise of the plane is so loud that it sounds like gibberish surrounded by white noise and you immediately wonder what it was he was trying to tell you? Well, that isn't the case in business class. Captain Dan talked to us often. Heck, he even came out and shook the hands of everyone and thanked us for our business. He then proceeded to go through the entire plane and shake the hand of every service person on board, thanking them for keeping us free. This was BEFORE the plane had even left the ground.
Me, I was feeling pretty darn good. The weather was beautiful, they had checked my bag (ahhh my bag - I wonder where it is now?) and given me a boarding pass before I walked into the airport. Going through security was simple and painless.
A ways into the flight Capt. Dan told us to expect a little turbulence - there was a line of storms we had to cross, but we were going to circle west a bit and come in behind them. Next message: Atlanta is not letting planes land, so we are going to stay above clouds and circle again. Next message: There is a "hole" in the clouds and we are going to "shoot" for it and try and land....it might get bumpy. It got VERY bumpy. I could see the airport below us, the the winds were buffeting us about like a paper plane. Up we went again. Next message: Sorry folks, our plane wasn't built to take those 50mph winds, and we are diverting to Columbus, South Carolina. Next message: Atlanta would prefer us to go to Savannah where we will refuel. Don't worry, we have enough fuel to get there.
Savannah - we don't get off. Some people demand to terminate there....they do get off. We refuel. Back in the air - forty minutes to Atlanta - the storms have moved but you can see them in the distance. We land - its midnight. Four plus hours after we were supposed to have landed. My connecting flight to the UK - which was to have left at ten was also delayed....but it had taken off ten minutes before we landed.
There is a line. A very LONG line full of angry, sad, tired people. Each with their own stories - connections to be made, It is always interesting to see how people respond. Some throw tantrums, some heckle the tantrum throwers. Lots of people who do not speak english - lots of flights were cancelled or late because of these storms - and there are people laying all over the airport sleeping....on the benches, on the floor, huddled in corners. This isn't a tragedy - it's just a natural occurrence for people who have the privilege of using this kind of transportation.
By the time I get to the head of the line it is four a.m. The soonest they can get me out is Saturday night (its now Friday morning). There are no hotel rooms for 30 miles...but here are some food vouchers and come back to the desk at seven and we will probably be able to get you a room somewhere - as people will be getting up early to catch flights. Staggered out to find juice, coffee, anything. Sat in a chair and watched Sons of Anarchy on netflix. At seven, went back to the desk and got a voucher for a room at the Best Western - run by an Indian family who have interesting ideas about decorating. No rooms clean yet so I was invited to sit in the "lobby" (one couch and a tv) and watch Good Morning America. I passed out....and they woke me up at nine to direct me to my room. Slept till almost six p.m.. Ihop for a meal. Back to the airport tomorrow. Atlanta is hot - and the world-wide mixture of extremely kind and extremely strange people.
Travel is a journey. If you allow yourself to forget that...you spend a lot of time being uselessly upset. I would like my luggage to find me at my final destination. I will really be tired of this outfit by then. I wrote to the place in Scotland where I had booked rooms for tonight and tomorrow and explained what had happen. They replied within the hour - telling me that they would have a room and a cuppa tea waiting for me when I got there - because the airport experience "sounds tedious." Well put.
Wednesday, September 26, 2012
Nowhere is it the same place as yesterday.
None of us is the same person as yesterday.
We finally die from the exhaustion of becoming.
This downward cellular jubilance is shared
by the wind, bugs, birds, bears and rivers,
and perhaps the black holes in galactic space
where our souls will all be gathered in an invisible
thimble of antimatter. But we're getting ahead of ourselves.
Yes, trees wear out as the wattles under my chin
grow, the wrinkled hands that tried to strangle
a wife beater in New York City in 1957.
We whirl with the earth, catching our breath
as someone else, our soft brains ill-trained
except to watch ourselves disappear into the distance.
Still, we love to make music of this puzzle.
None of us is the same person as yesterday.
We finally die from the exhaustion of becoming.
This downward cellular jubilance is shared
by the wind, bugs, birds, bears and rivers,
and perhaps the black holes in galactic space
where our souls will all be gathered in an invisible
thimble of antimatter. But we're getting ahead of ourselves.
Yes, trees wear out as the wattles under my chin
grow, the wrinkled hands that tried to strangle
a wife beater in New York City in 1957.
We whirl with the earth, catching our breath
as someone else, our soft brains ill-trained
except to watch ourselves disappear into the distance.
Still, we love to make music of this puzzle.
~ Jim Harrison ~
Thursday, September 20, 2012
from Cirque du Soleil....
little tech experiment from google:
Breaking with the tradition of point and click web browsing, you can navigate through this unique experience simply by gesturing in front of your device’s camera.
Monday, September 17, 2012
"Making music is like constructing a machine whose function it is to dredge up emotions in performer and listener alike. Some people find this idea repulsive, because it seems to relegate the artist to the level of trickster, manipulator, and deciever -- a kind of self-justifying onanist. They would prefer to see music as an expression of emotion Rather than a generator of it, to believe in the artist as someone with something to say. I'm beginning to think of the artist as someone who is adept at making devices that tap into our shared psychological make-up and that trigger the deeply moving parts we have in common. In that case the conventional idea of authorship is questionalble. Not that I don't want credit for the songs I've written, but what constitutes authorship is maybe not what we would like it to be. This queasiness about rethinking how music works is also connected with the idea of authenticity." David Bryne, How Music Works.
Reviews aside - I find the book interesting. Bryne discusses some of the very issues that I spend a lot of time talking through with students. AND. Dancing to Burning Down the House, I discovered, is just as much fun decades later as it was the first time. Great concert in Milwaukee last night - thank you!!
Saturday, September 08, 2012
MORNING GLORY
These days when the weather is cooling down and I can bear to go out in the yard and drink my first cup of coffee, I am immediately drawn to the morning glories growing all over last years Christmas tree.
A couple years ago I saw this idea somewhere - for keeping your tree year round. We go on our yearly trek to the tree farm in early December and get a robust tree. Mid January it comes down and we prop it up in a snowbank outside the kitchen window so we can watch the birds use it for shelter as they come to and from the feeder. By May it is a brown, dry mess - and as everything is turning green in the yard it's planted and staked out back of the studio - morning glory seeds planted under and around it.
By the end of August very little of the old fir tree is evident, as it has been covered with morning glory vines and flowers. GLORIOUS. They last awhile - as they seem to enjoy the cooler weather as much as I do.
Tuesday, September 04, 2012
IT'S BEEN A YEAR ....
....since I last posted on this blog. But this past weekend a wonderful thing happened, which inspired me to begin posting again. I was lucky enough to be able to spend time with my niece Audrey - who was visiting with her family from Seattle. We had a chance to talk about life and art and the future and school. We even had the chance to do some work together (see our collaborative water color above)!! So our challenge will be to keep up on our blogs and pass some work back and forth between the middle coast and the west coast. If you are lucky (HA) we will share some of it here with you.
A friend of mine in Ireland sent me this poem today - and I love it. Like me, Michael Hefferman was born and brought up in Detroit.
Pietá
Everyone’s agenda’s different. Reaching between
ease and contrition, edges weaken, cohesion drifts.
For ages we have witnessed the same scene
through the same windows. Even the sky shifts
focus. The ground goes on being the ground.
Nothing is ever mentioned about ecstasies,
longings, renunciations, the peace we found
in momentary meadows darkening into trees.
We could fall into a crack in the countryside
and no one would catch on. We could combine
the mightiest things the human hand has made,
display them in the world’s greatest room.
Faces agape, we’d wander into the rain,
piecing together cab-fare to take us home.
by Michael Heffernanfrom 'The Breaking of the Day'(Salmon Poetry, September, 2012)
Saturday, September 03, 2011
The Keystone XL Pipeline
Hundreds of people continue their nonviolent protest outside the White House, urging President Obama to not approve the potentially environmentally disastrous Keystone XL pipeline. The Keystone XL pipeline, which if approved would run from Alberta, Canada to the Gulf of Mexico and carry some 900,000 barrels per day of crude oil refined from bitumen in the Canadian soil, has been denounced by environmentalist Bill McKibben and NASA scientist James Hansen and many other experts. But last week the State Department issued an assessment of the project that concluded that there would be "no significant impact" on natural resources near the pipeline route, while also downplaying the potential for increased greenhouse gas emissions.
The Nation's George Zornick captured the scene at the White House this week, and documented the arrests of protesters.
For more video, visit TheNation.com
My sister Fran was arrested this morning. I'm proud of her - and everyone who went to Washington
The Nation's George Zornick captured the scene at the White House this week, and documented the arrests of protesters.
For more video, visit TheNation.com
My sister Fran was arrested this morning. I'm proud of her - and everyone who went to Washington
Saturday, August 27, 2011
History of Chapbooks
From xylography to xerography, chapbooks tell the history of literacy and disseminate the expression of thought, from musings to manifestos. To enlighten us on this subject Rain Taxi Review of Books editor Eric Lorberer will give an overview of the chapbook, paying special attention to its fascinating history, its variable design elements and formats, and its vibrant role in contemporary literature and publishing. Rain Taxi, a nationally acclaimed journal, includes regular critical commentary on chapbooks and will be launching a Chapbook Finder feature on its website soon. The chapbook is generally a pocket-sized, paper-covered publication, noteworthy for being accessible to create and circulate. Its pages may contain edicts issued by the establishment or criticisms articulated by a counter-culture voice.
Presented in conjunction with the exhibition Text/Messages: Books by Artists and Multiples Mall: A Bookish Fair.
Wednesday, July 13, 2011
Two favorite poems and a memory.

Last week I was talking to a friend about her recent trip to Ireland - and walking along the flaggy shore that Heaney writes so beautifully about. My mind immediately went back to this evening when the sun was setting and the light was gold and spilling a golden glow over everything - water, land, dog, man. Part of my heart is there.
Tuesday, July 12, 2011
Onyx Ashanti: This is beatjazz
Onyx Ashanti is a musician, geek, open-source advocate, Maker, collaborator ... and we come back around again to musician. The intrumentation he has created fuses technique and technology into a full-body musical system, playable with hands, arms, mouth and body.
As he says:
I am what can only be described as a cyborg musician. in other words, the music i create live, can not be replicated without technology. My music is called "Beatjazz." It is a mix of sound design, live looping and jazz improvisation. My instrument of choice over the years has been a Yamaha Wind MIDI controller, but now the limitations have started to stunt the growth of this new form, so i designed an instrument that can take it into future.
He is now working on the next iteration of his instrument, codenamed Tron, and built around a helmet-mounted controller.
Onyx Ashanti on the Web
Twitter: @onyxashanti
Blog: beatjazz.blogspot.com
Friday, July 08, 2011
STEPHEN FRY
I first became aware of Stephen Fry from a British friend who told me I should follow him on twitter. I did - and occasionally I would be amused by something he said - but I never really looked deeply into his life/work. Then another friend from Sweden posted this on FB (all these connected ways of learning from like minded people) and I had to post this here. I love his ideas about music - and especially this idea of a concerto being a conversation between the individual and the state. It made me immediately go to itunes and create a "concerto playlist" and start listening.
Thursday, July 07, 2011
James Baldwin

Absolutely one of the most brilliant and prophetic writers ever...witness...survivor. I've been about him for the past few years....and I just can't get enough of his wisdom, his wit and his unflagging love.
(Broadside by Patrick Sharrow)
Lake Michigan is a Dangerous Body of Water
At least the southern half is...such a pity.
Each one teach one....
I have been teaching long enough now that when I see former students giving the same advice that I give in the classroom....well - big internal smiles. Not that I take any credit for their wonderfulness - but love that I have had the honor of working with them for part of their / our journey.
wants to remind the young people of facebook not to post anything you wouldn't want a current/future employer to read/see, or to change your privacy settings to "friends only".
Wednesday, July 06, 2011
Thursday, December 03, 2009
Wednesday, November 04, 2009
Exhibition opportunity!
Abecedarian Gallery is hosting a juried exhibition of altered bookworks. There is a reduced entry fee student category and awards in that category. Your assistance distributing information about the opportunity is appreciated. Prospectus is available by visiting www.abecedariangallery.com, click on opportunities for artists link.
Thanks!
Alicia Bailey
Abecedarian Gallery
www.abecedariangallery.com
910 Santa Fe, Unit #101
Denver, CO 80204
phone: 720.282.4052 or 303.340.2110
fax: 303.479.9556
Wednesday, October 28, 2009
Tarabeans Blog…form AND content
Since Tara posted about her altered book after last weeks crit…and I have been thinking about the physical/digital assignment (book of scans/transformations/autobiographical/20 pager) OMG is that part of the confusion???? How many ways have we referred to this project? Anyways….I decided to post about what she had written.
One of my favorite blogs ever is the CONVIVIO BOOKWORKS blog. I love these guys, the work they make (so unlike mine, but so attentive to details and so crisp and clean in its letterpress work.) I love the letters they send out every once in awhile….just talking about what they are doing and why – and telling stories about their lives and work. I have never met them, but they have answered every email I have ever sent them, quickly – and as if I am a long lost friend that they have just been waiting to hear from. This is from an email I saved – because I love the phrase in bold -
This is a link to their latest project it…
http://www.conviviobookworks.com/pages/Works%20on%20Paper.html
This (in a very round about way) does bring me back to Tara’s blog and to Keith Smith.
Tara’s blog reflects her interests re: ideas and text. Even in her blog itself – there are not a lot of images …. and this is not a criticism …. because there are alot of ideas and thinking going on. She is honest – very honest. And she isn’t afraid to put herself out there and get messy with her thinking. I love this. It is where some hard work gets done and where some discoveries get made.
Text has played a major role in each of her projects this semester…the two she has finished as well as the one she is working on now. I have encouraged her to go back and read what Smith has to say about text – and I am going to share some of his thinking (and my own) here.
Smith outlines the ELEMENTS of the book….
the binding (the binding determines the type of book)
the pages
text and/or pictures
turning pages
display
He continues, “Like the formal elements within the single picture, the elements of the book function work in union to create the book. Each element must be conceived as part of and helps determine the other elements.
Picture, and/or text must be incorporated into the pages. If a writer hands material to a publisher, it is merely stuck into pages as convenient packaging.
Words should not be housed, but revealed by the (book) format.”
Let’s look at it another way as well….a book houses content…but in the genre of bookart – the book becomes the content as well. (not just the packaging).
Thomas McEvilley – in a riff on Wallace Steven’s 13 Ways of Looking at A Blackbird, wrote about 13 ways that we determine content in looking at art work. Very applicable to looking at our books – and in thinking about the elements of these final projects. The ( ) are my questions/comments to you.
1. Content that arises from the aspect of the artwork that is understood as representational. (DO we see nature based on how we have seen it represented in art?)
2. Content arising from verbal supplements supplied by the artist. (Title, what the artist says/writes)
3. Content arising from the genre or medium of the artwork. (How do we come to a painting vs. a book? How is a digital book different than a physical book – aside from the obvious?)
4. Content arising from the material of which the artwork is made. (When, for example, a jeweler works in some other medium than gold, because gold mining is damaging to the environment and does not return profits to the miners themselves.)
5. Content arising from the scale of the artwork. (Especially relevant for land art, earthworks. What about works at the nanoscale?)
6. Content arising from the temporal duration of the artwork. (Virtual work, Film, video, performance, music?)
7. Content arising from the context of the work. (Such as site specific work)
8. Content arising from the work’s relationship with art history. (A piece that specifically references something that came before it. Altered books in some cases – look at Smith’s examples of altered books made using Jansen’s History of Art.)
9. Content that accrues to the work as it progressively reveals its destiny through persisting in time. (Duchamp added content to the Mona Lisa – altered books, again)
10. Content arising from participation in a specific iconographic tradition. (Certain colors or forms, or even subjects, have a particular meaning (very similar to context)
11. Content arising directly from the formal properties of the work. (A Pollock drip painting asserts flux and indefiniteness of identity as qualities that can be found in the world.. Sherman photographs for a certain period formally reference 50′s film stills)
12. Content arising from attitudinal gestures (wit, irony, parody, and so on) that may appear as qualifiers of any of the categories already mentioned. (for eg., Natural Born Killers, which tells the story of a pair of mass murderers while parodying various media forms like TV sitcoms…)
13. Content rooted in biological or physiological responses, or in cognitive awareness of them. (Sexual arousal, disgust, visual responses like persistence of vision (when you stare at an image composed of complements and then look at a white wall and still see it, but with colors reversed) op art)
One of my favorite blogs ever is the CONVIVIO BOOKWORKS blog. I love these guys, the work they make (so unlike mine, but so attentive to details and so crisp and clean in its letterpress work.) I love the letters they send out every once in awhile….just talking about what they are doing and why – and telling stories about their lives and work. I have never met them, but they have answered every email I have ever sent them, quickly – and as if I am a long lost friend that they have just been waiting to hear from. This is from an email I saved – because I love the phrase in bold -
We also just got a fresh supply of Shaker Herbs in for the Convivio Book of Days Catalog… The house smells just like the Herb House at the Sabbathday Lake Shaker Community in Maine. Smell, great portal to memory.
This is a link to their latest project it…
http://www.conviviobookworks.com/pages/Works%20on%20Paper.html
This (in a very round about way) does bring me back to Tara’s blog and to Keith Smith.
Tara’s blog reflects her interests re: ideas and text. Even in her blog itself – there are not a lot of images …. and this is not a criticism …. because there are alot of ideas and thinking going on. She is honest – very honest. And she isn’t afraid to put herself out there and get messy with her thinking. I love this. It is where some hard work gets done and where some discoveries get made.
Text has played a major role in each of her projects this semester…the two she has finished as well as the one she is working on now. I have encouraged her to go back and read what Smith has to say about text – and I am going to share some of his thinking (and my own) here.
Smith outlines the ELEMENTS of the book….
the binding (the binding determines the type of book)
the pages
text and/or pictures
turning pages
display
He continues, “Like the formal elements within the single picture, the elements of the book function work in union to create the book. Each element must be conceived as part of and helps determine the other elements.
Picture, and/or text must be incorporated into the pages. If a writer hands material to a publisher, it is merely stuck into pages as convenient packaging.
Words should not be housed, but revealed by the (book) format.”
Let’s look at it another way as well….a book houses content…but in the genre of bookart – the book becomes the content as well. (not just the packaging).
Thomas McEvilley – in a riff on Wallace Steven’s 13 Ways of Looking at A Blackbird, wrote about 13 ways that we determine content in looking at art work. Very applicable to looking at our books – and in thinking about the elements of these final projects. The ( ) are my questions/comments to you.
1. Content that arises from the aspect of the artwork that is understood as representational. (DO we see nature based on how we have seen it represented in art?)
2. Content arising from verbal supplements supplied by the artist. (Title, what the artist says/writes)
3. Content arising from the genre or medium of the artwork. (How do we come to a painting vs. a book? How is a digital book different than a physical book – aside from the obvious?)
4. Content arising from the material of which the artwork is made. (When, for example, a jeweler works in some other medium than gold, because gold mining is damaging to the environment and does not return profits to the miners themselves.)
5. Content arising from the scale of the artwork. (Especially relevant for land art, earthworks. What about works at the nanoscale?)
6. Content arising from the temporal duration of the artwork. (Virtual work, Film, video, performance, music?)
7. Content arising from the context of the work. (Such as site specific work)
8. Content arising from the work’s relationship with art history. (A piece that specifically references something that came before it. Altered books in some cases – look at Smith’s examples of altered books made using Jansen’s History of Art.)
9. Content that accrues to the work as it progressively reveals its destiny through persisting in time. (Duchamp added content to the Mona Lisa – altered books, again)
10. Content arising from participation in a specific iconographic tradition. (Certain colors or forms, or even subjects, have a particular meaning (very similar to context)
11. Content arising directly from the formal properties of the work. (A Pollock drip painting asserts flux and indefiniteness of identity as qualities that can be found in the world.. Sherman photographs for a certain period formally reference 50′s film stills)
12. Content arising from attitudinal gestures (wit, irony, parody, and so on) that may appear as qualifiers of any of the categories already mentioned. (for eg., Natural Born Killers, which tells the story of a pair of mass murderers while parodying various media forms like TV sitcoms…)
13. Content rooted in biological or physiological responses, or in cognitive awareness of them. (Sexual arousal, disgust, visual responses like persistence of vision (when you stare at an image composed of complements and then look at a white wall and still see it, but with colors reversed) op art)
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